{"id":10,"date":"2014-08-20T12:23:38","date_gmt":"2014-08-20T11:23:38","guid":{"rendered":"http:\/\/hutarchitektury.cz\/en\/?page_id=10"},"modified":"2019-09-19T11:00:22","modified_gmt":"2019-09-19T10:00:22","slug":"o-nas","status":"publish","type":"page","link":"https:\/\/hutarchitektury.cz\/en\/o-nas\/","title":{"rendered":"ABOUT"},"content":{"rendered":"

HAMR is a collective of architects of shared dedication to re-defining a natural approach to architecture, urban planning and design. The linking figure is that of Martin Rajni\u0161, who founded HAMR alongside David Kub\u00edk in 2012. We work a lot, we travel often and every now and then we teach, organise lectures and workshops. We base our work around the materiality of wood, stone and glass. We see nature as an inevitable source of fundamentals to still inform the shape of the built environment today. We are capable of completion of all project stages, in some cases we provide turnkey project documentation.<\/p>\n

PEOPLE<\/h2>\n
HAMR: Martin Rajni\u0161 CV<\/a>, David Kub\u00edk, Tom\u00e1\u0161 Kosnar, J\u00e1chym Daniel, Mariana Hankov\u00e1, Martin Kloda, David Pavli\u0161ta, Jan Mach, Jitka Pucandlov\u00e1, Kamila Amblerov\u00e1, V\u00e1clav Horeck\u00fd, Patrik Hoffman, Tom Folt\u00fdn, Jan Nickenday, Lubo\u0161 Loibl, Sven Nevlida, Jan \u0160r\u00e1mek, Tom\u00e1\u0161 Toegel, Nela Gottwaldov\u00e1, Ji\u0159\u00ed T\u00e1borsk\u00fd, Martin Bla\u017eek
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AWARDS<\/h2>\n2014 \u00a0Nominace na cenu Miese van der Rohe - Maj\u00e1k a muzeum J\u00e1ry Cimrmana
\r\n2014 \u00a0Cena Ernst A. Plischke (V\u00edde\u0148)\/ Ernst A. Plischke\u00a0preis (Vien)
\r\n2014 \u00a0Mezin\u00e1rodn\u00ed cena za trvale udr\u017eitelnou architekturu (Pa\u0159\u00ed\u017e)\/ Global Award for Sustainable Architecture (Paris)
\r\n2013 \u00a0D\u0159evostavba roku 2012 - D\u016fm v obo\u0159e
\r\n2008 \u00a0Nominace na cenu Miese van der Rohe - Hr\u00e1\u0148 u Slavonic
\r\n2006 \u00a0Cena Archiwebu
\r\n2004 \u00a0Nominace na cenu Miese van der Rohe - Tov\u00e1rna Kolod\u011bje
\r\n1997 \u00a0Nominace na cenu Miese van der Rohe - Administrativn\u00ed budova Na Pankr\u00e1ci, Praha
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PUBLICATIONS<\/h2>\n\n
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Martin Rajni\u0161 Skici – Sketches \/ <\/h3>Aktu\u00e1ln\u011b v prodeji! Architekt Martin Rajni\u0161 pat\u0159\u00ed k t\u011bm jedine\u010dn\u00fdm tv\u016frc\u016fm, kte\u0159\u00ed svou prac\u00ed dok\u00e1\u017e\u00ed posouvat hranice na\u0161eho b\u011b\u017en\u00e9ho vn\u00edm\u00e1n\u00ed i stereotypn\u00edch p\u0159edstav o tom, jak m\u00e1 vypadat \u201espr\u00e1vn\u00e1\u201c architektura. Kniha Skici \/ Sketches p\u0159in\u00e1\u0161\u00ed vedle pronikav\u00fdch my\u0161lenek v\u00a0rozhovoru s\u00a0Ji\u0159\u00edm Horsk\u00fdm v\u00fdb\u011br z Rajni\u0161ov\u00fdch skic, a\u0165 ji\u017e existuj\u00edc\u00edch realizac\u00ed, \u010di dechberouc\u00edch viz\u00ed. \u010cten\u00e1\u0159 tak m\u016f\u017ee detailn\u011b prozkoumat vznik nap\u0159\u00edklad naprosto unik\u00e1tn\u00ed vzducholo\u010f\u011b Gulliver, \u010di v\u011b\u017ee Doubravka, p\u0159ezd\u00edvan\u00e9 d\u00edky sv\u00e9mu tvaru Trifid, nebo maj\u00e1ku a muzea J\u00e1ry Cimrmana.<\/a><\/div>\n
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P\u011btadvacet tis\u00edc dn\u016f vzpom\u00ednek \/ <\/h3>Architekt, profesor a autor mnoha odborn\u00fdch publikac\u00ed M. Rajni\u0161 se rozhodl sepsat vzpom\u00ednky ze sv\u00e9ho \u017eivota pln\u00e9ho cestov\u00e1n\u00ed, netradi\u010dn\u00edch zvrat\u016f, \u00fasp\u011bch\u016f i p\u00e1d\u016f. Jako bu\u0159i\u010d a provokat\u00e9r, kter\u00fd si cel\u00fd \u017eivot raz\u00ed svoj\u00ed cestu, chce \u010dten\u00e1\u0159i uk\u00e1zat, \u017ee i \u010dlov\u011bk, n\u00fdmand, kter\u00e9ho m\u00e1lem str\u010dili do pomocn\u00e9 \u0161koly, m\u016f\u017ee \u017e\u00edt bezvadn\u00fd \u017eivot. \u201eP\u0159\u00e1l bych si, aby se \u010dten\u00e1\u0159 p\u0159i m\u00fdm vypr\u00e1v\u011bn\u00ed odv\u00e1zal, za\u010dal mluvit slangem a vychutnal si kr\u00e1sn\u011b vysloven\u00fd \u010desk\u00fd nad\u00e1vky, kter\u00fd se skv\u00ed jako pralinka na dortu.\u201c<\/a><\/div>\n
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B\u00e1ra: Neuv\u011b\u0159iteln\u00fd p\u0159\u00edb\u011bh v\u011b\u017ee \/ The Incredible Story of a Tower (2010) \/ <\/h3>\"Je to zvl\u00e1\u0161tn\u00ed proces, kter\u00fdm vznik\u00e1 kr\u00e1sn\u00e1 v\u011bc. Kr\u00e1sa vznik\u00e1 bu\u010f tak, \u017ee n\u011bkdo usiluje o to, ud\u011blat kr\u00e1snou v\u011bc, co\u017e \u010dasto vede k paskvilu nebo p\u0159ipodob\u0148ov\u00e1n\u00ed jin\u00fdm kr\u00e1sn\u00fdm v\u00fdtvor\u016fm. Ale je i druh\u00e1 cesta. Kdy\u017e si \u010dlov\u011bk na za\u010d\u00e1tku vezme ur\u010dit\u00fd tektonick\u00fd princip a hodn\u011b se do n\u011bj pono\u0159\u00ed, za\u010dne v\u011bc vytv\u00e1\u0159et zp\u016fsobem, kter\u00fd je vlastn\u011b velmi racion\u00e1ln\u00ed.\" \u0159\u00edk\u00e1 Martin Rajni\u0161 \/<\/strong>\u00a0Editorka: Jana Tich\u00e1 \/<\/strong>\u00a0Grafick\u00e1 \u00faprava: Tom\u00e1\u0161 Machek (Side2) \/<\/strong>\u00a0Vydavatel \u00a9 Zlat\u00fd \u0159ez, Praha 2010 \/<\/strong>\u00a0ISBN 978-80-87068-06-9<\/a><\/div>\n $\"\"$ <\/a><\/div>
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Martin Rajni\u0161 (2008) \/ <\/h3>\u201eArchitektura pro\u017e\u00edv\u00e1 krizi. Je nutn\u00e9 za\u010d\u00edt tvo\u0159it jinak: m\u00edsto designu a estetiky se inspirovat hlubok\u00fdmi z\u00e1kony p\u0159\u00edrody, kter\u00e1 je neuv\u011b\u0159itelnou pokladnic\u00ed geni\u00e1ln\u00edch konstrukc\u00ed, tvar\u016f, barev, syst\u00e9m\u016f i nahodilost\u00ed. Ukazuje n\u00e1m, jak \u017e\u00edt s chybami a nezp\u016fsobit katastrofu,\u201c \u0159\u00edk\u00e1 Martin Rajni\u0161.\u00a0\/<\/strong> Editorky: Irena Fialov\u00e1 a Jana Tich\u00e1\/<\/strong> Grafick\u00e1 \u00faprava: Tom\u00e1\u0161 Machek(Side2)\u00a0\/<\/strong> Vydavatel \u00a9 Zlat\u00fd \u0159ez, Praha 2008 \/<\/strong> ISBN 978-80-87068-02-1 - prvn\u00ed vyd\u00e1n\u00ed \/<\/strong> ISBN 978-80-87068-12-0 - druh\u00e9 vyd\u00e1n\u00ed <\/a><\/div>\n $\"\"$ <\/a><\/div>
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FILMS<\/h2>\n\n
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D\u00d3M CHAOSU \/ <\/h3>Kr\u00e1tk\u00fd dokument D\u00f3m chaosu pojedn\u00e1v\u00e1 o vzniku anarchostruktury architekta Martina Rajni\u0161e. Stavba vyrostla v r\u00e1mci workshopu v Kampusu Dejvice na Life Sciences Film Festivalu 2015 a ve\u0159ejn\u00fd prostor zdobila po dobu jednoho m\u011bs\u00edce.\r\nwww.lsff.cz\r\nwww.hutarchitektury.cz\/en<\/a><\/div>\n
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D\u00f3m Chaosu Martina Rajni\u0161e \/ <\/h3>15. - 18. \u0159\u00edjna 2015 V r\u00e1mci Life Sciences Film Festivalu po\u0159\u00e1d\u00e1 Hu\u0165 Architektury Martina Rajni\u0161e workshop na kter\u00e9m postav\u00edme klenbu z mlad\u00fdch kmen\u016f, p\u0159\u00edmo v are\u00e1lu Kampusu Dejvice. P\u016fjde o tzv. struktur\u00e1ln\u00ed konstrukci z km\u00ednk\u016f. D\u016fle\u017eitou ideou stavby je hled\u00e1n\u00ed v\u00fdznamu a moci chaosu a entropie v konstrukc\u00edch. Konstrukce D\u00f3mu je ve sv\u00e9 podstat\u011b podrobn\u011b nepl\u00e1novan\u00e1. P\u0159esn\u00e1 podoba vznikne v pr\u016fb\u011bhu workshopu. Neur\u010ditost a nep\u0159edur\u010ditelnost je kl\u00ed\u010dov\u00e1 charakteristika cel\u00e9ho konceptu. D\u00f3m Chaosu je z tohoto pohledu Anarchostruktura.<\/a><\/div>\n
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Martin Rajni\u0161 Glob\u00e1ln\u00ed cena za udr\u017eitelnou architekturu 2014 \/ <\/h3>Profesor architektury Martin Rajni\u0161 p\u0159evzal v Pa\u0159\u00ed\u017ei spole\u010dn\u011b s dal\u0161\u00edmi \u010dty\u0159mi sv\u011btov\u00fdmi architekty mezin\u00e1rodn\u00ed ocen\u011bn\u00ed za celo\u017eivotn\u00ed d\u00edlo Global Award for Sustainable Architecture 2014. Martin Rajni\u0161 na t\u00e9to cest\u011b z\u00e1rove\u0148 oslavil sv\u00e9 narozeniny. Kamera, st\u0159ih: Havel Park\u00e1n. Re\u017eie: Veronika Kastlov\u00e1<\/a><\/div>\n
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D\u016fm v obo\u0159e \/ House in preserve \/ <\/h3>Krajina u obce \u017delezn\u00e1 v \u010cesk\u00e9m lese je n\u00e1dhern\u00e1. Pozemek na okraji \u017delezn\u00e9 je ji\u017e mimo kontakt s domy v obci, skl\u00e1n\u00ed se k jihov\u00fdchodu. Stavba jednogenera\u010dn\u00edho domu m\u00e1 v\u00fdjime\u010dn\u011b kr\u00e1snou vyhl\u00eddku do majest\u00e1tn\u00ed scen\u00e9rie luk, les\u016f, jezera a hor. Kamera, st\u0159ih: Havel Park\u00e1n.<\/a><\/div>\n
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Video z v\u00fdstavy\/Video from Exibithion: “MARTIN RAJNI\u0160: Hu\u0165 architektury” \/ <\/h3>kamera, st\u0159ih: Havel Park\u00e1n<\/a><\/div>\n
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Maj\u00e1k a muzeum (2015) \/ <\/h3>sc\u00e9n\u00e1\u0159, st\u0159ih a re\u017eie: Vojt\u011bch Kopeck\u00fd<\/a><\/div>\n
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Leteck\u00e9 z\u00e1b\u011bry P\u0159\u00edchovice (2015) \/ <\/h3>Leteck\u00e9 z\u00e1b\u011bry pou\u017eit\u00e9 ve filmu \"M\u00e1j\u00e1k a muzeum\" od Vojty Kopeck\u00e9ho, po\u0159\u00eddily \u0160t\u011bp\u00e1n Mat\u011bna, David \u0160achl.<\/a><\/div>\n
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Struktur\u00e1ln\u00ed konstrukce z km\u00ednku (2014) \/ <\/h3>re\u017eie: Veronika Kastlov\u00e1\/ Praha 14 hledala podobu nov\u00e9 rozhledny na \u010cihadla. Vybrala si experiment\u00e1ln\u00ed projekt v\u011b\u017ee Doubravky t\u00fdmu Huti architektury Martina Rajni\u0161e - prvn\u00ed struktur\u00e1ln\u00ed konstrukci z km\u00ednk\u016f v Evrop\u011b. Rozhledn\u011b p\u0159edch\u00e1zelo \u00fasp\u011b\u0161n\u00e9 ov\u011b\u0159en\u00ed konstrukce prost\u0159ednictv\u00edm workshopu student\u016f v pra\u017esk\u00fdch Kyj\u00edch v \u010dervnu 2014, kde se postavil Artefakt...<\/a><\/div>\n
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Transborder v And\u011blsk\u00e9 Ho\u0159e (2010) \/ <\/h3><\/a><\/div>\n
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Biennale Architettura – Natural Architecture (2010) \/ <\/h3><\/a><\/div>\n
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Pahrbek \u010desk\u00fd (2009) \/ <\/h3>\u010casosb\u011brn\u00fd dokument, kter\u00fd sleduje zrozen\u00ed a prom\u011bny stavby na Sn\u011b\u017ece, realizovan\u00e9 ve velmi n\u00e1ro\u010dn\u00fdch podm\u00ednk\u00e1ch. Re\u017eie L. Kr\u00e1lov\u00e1
\r\nObl\u00edben\u00e1 \u010cesk\u00e1 bouda na Sn\u011b\u017ece byla doslova se\u017er\u00e1na houbou d\u0159evomorkou a jej\u00ed rozs\u00e1hl\u00e9 poz\u016fstatky dlouhou dobu odstra\u0148ovala skupina specialist\u016f pomoc\u00ed n\u00e1ro\u010dn\u00e9 techniky a vrtuln\u00edk\u016f. U\u017e b\u011bhem t\u011bchto prac\u00ed za\u010daly vznikat spory o to, co by m\u011blo na na\u0161\u00ed nejvy\u0161\u0161\u00ed ho\u0159e st\u00e1t. Zaj\u00edmav\u00e9 na cel\u00e9 diskusi bylo i to, \u017ee zasahovala a\u017e k polemice o n\u00e1rodn\u00ed identit\u011b.<\/a><\/div>\n
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B\u00e1ra, p\u0159\u00edb\u011bh v\u011b\u017ee (2009) \/ <\/h3>Martin Rajni\u0161 se rozhodl podle slavn\u00e9ho vzoru populariz\u00e1tora v\u011bdy a p\u0159\u00edrody Sira David Attenborough, nato\u010dit s\u00e9rii film\u016f, kter\u00e1 by p\u0159ibl\u00ed\u017eila architekturu v\u00edce lidem. Sc\u00e9n\u00e1\u0159, st\u0159ih a re\u017eie: Vojt\u011bch Kopeck\u00fd.<\/a><\/div>\n
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Atelier nad \u0159ekou (2008) \/ <\/h3>Sc\u00e9n\u00e1\u0159, st\u0159ih a re\u017eie: Vojt\u011bch Kopeck\u00fd. V hlavn\u00ed roli Martin Rajni\u0161. Kr\u00e1tk\u00e9 vypr\u00e1v\u011bn\u00ed o tom jak vznikala stavba Ateli\u00e9ru na \u0159ekou.<\/a><\/div>\n
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Strategie svobody (2007) \/ <\/h3>Zpov\u011b\u010f architekta Martina Rajni\u0161e a jeho fascinuj\u00edc\u00ed d\u0159ev\u011bn\u00e9 stavby. Re\u017eie J. Dlouh\u00fd. Sugestivn\u00ed dokument\u00e1rn\u00ed portr\u00e9t architekta Martina Rajni\u0161e (1944) p\u0159ibli\u017euje \u00faskal\u00ed p\u0159i snaze realizovat zaj\u00edmav\u00e9 d\u0159ev\u011bn\u00e9 stavby v \u010desk\u00e9 krajin\u011b. Ukazuje, jak velkou moc maj\u00ed nad byt\u00edm a nebyt\u00edm nov\u00e1torsk\u00e9 architektury zakomplexovan\u00ed provin\u010dn\u00ed \u00fa\u0159edn\u00edci. Profesor Rajni\u0161 se rozhodl proti t\u00e9to zlov\u016fli bojovat.<\/a><\/div>\n
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LECTURES<\/h2>\n\n
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P\u0159irozen\u00e1 architektura – hled\u00e1n\u00ed budoucnosti \/ <\/h3>Praha, Knihovna V\u00e1clava Havla, 8. 12. 2014<\/a><\/div>\n
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P\u0159edn\u00e1\u0161ky prostorov\u00fdch tv\u016frc\u016f V “Martin Rajni\u0161” \/ <\/h3>Brno, Ateli\u00e9r socha\u0159stv\u00ed 2, 12. 11. 2014<\/a><\/div>\n
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P\u0159edn\u00e1\u0161ka “Levn\u00e9 domy a ekonomie staveb” (2011) \/ <\/h3><\/a><\/div>\n
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P\u0159edn\u00e1\u0161ka v NTK (2011) \/ <\/h3><\/a><\/div>\n
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P\u0159edn\u00e1\u0161ka na FHS UK (2011) \/ <\/h3><\/a><\/div>\n
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P\u0159edn\u00e1\u0161ka na \u010cVUT (2011) \/ <\/h3><\/div>\n
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P\u0159edn\u00e1\u0161ka “Prom\u011bnliv\u00e9 domy v m\u011bn\u00edc\u00edm se sv\u011bt\u011b” (2010) \/ <\/h3><\/a><\/div>\n
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P\u0159edn\u00e1\u0161ka Rakousk\u00e9 kulturn\u00ed f\u00f3rum (2010) \/ <\/h3><\/a><\/div>\n
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Semin\u00e1\u0159 ke studentsk\u00e9 sout\u011b\u017ei Helika – 1.\u010c\u00c1ST (2010) \/ <\/h3><\/a><\/div>\n
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Semin\u00e1\u0159 ke studentsk\u00e9 sout\u011b\u017ei Helika \u2013 2.\u010c\u00c1ST (2010) \/ <\/h3><\/a><\/div>\n
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P\u0159edn\u00e1\u0161ka My v M\u00e1ji (2010) \/ <\/h3>P\u0159edn\u00e1\u0161ka v r\u00e1mci festivalu 4dny v pohybu. Architekti M. Mas\u00e1k, J. Eisler a M. Rajni\u0161 o obchodn\u00edm dom\u011b na n\u00e1ro\u017e\u00ed N\u00e1rodn\u00ed t\u0159\u00eddy a Sp\u00e1len\u00e9 ulice.<\/a><\/div>\n
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P\u0159edn\u00e1\u0161ka v Dom\u011b Um\u011bn\u00ed, \u010cesk\u00e9 Bud\u011bjovice, 1.\u010d\u00e1st (2010) \/ <\/h3><\/a><\/div>\n
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P\u0159edn\u00e1\u0161ka v Dom\u011b Um\u011bn\u00ed, \u010cesk\u00e9 Bud\u011bjovice, 2.\u010d\u00e1st (2010) \/ <\/h3><\/a><\/div>\n
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P\u0159edn\u00e1\u0161ka v Dom\u011b Um\u011bn\u00ed, \u010cesk\u00e9 Bud\u011bjovice, 3.\u010d\u00e1st (2010) \/ <\/h3><\/a><\/div>\n
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P\u0159edn\u00e1\u0161ka “Stavba a vzpoura” (2009) \/ <\/h3>P\u0159edn\u00e1\u0161ka profesora Rajni\u0161e v r\u00e1mci festivalu 4 dny v pohybu.<\/a><\/div>\n
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TEXTS<\/h2>\nArchitektura pro\u017e\u00edv\u00e1 krizi. Na\u0161e domy lidi neuspokojuj\u00ed. Jak je mo\u017en\u00e9, \u017ee auta, lod\u011b, letadla je uspokojuj\u00ed, jsou kr\u00e1sn\u00e9 a bezvadn\u00e9? Proto\u017ee auta mus\u00ed jezdit, lod\u011b plavat, letadla l\u00e9tat. Je to hluboce pochopen\u00fd design, inspirovan\u00fd p\u0159\u00edrodou: aerodynamika podobn\u00e1 pt\u00e1k\u016fm, osov\u00e1 symetrie podobn\u00e1 v\u0161em zv\u00ed\u0159at\u016fm. Estetick\u00e1 str\u00e1nka je p\u0159itom vedlej\u0161\u00ed, podstata auta, letadla, lod\u011b je ryze konstruk\u010dn\u00ed. Architektura je v krizi, proto\u017ee se ne\u0159\u00edd\u00ed t\u011bmito pravidly. Je nutn\u00e9 za\u010d\u00edt jinak: m\u00edsto designu a estetiky se pono\u0159it do hlubok\u00fdch z\u00e1kon\u016f p\u0159\u00edrody. Pono\u0159it se do prost\u0159ed\u00ed, do syst\u00e9mu, z kter\u00e9ho jsme povstali. Biofilie, l\u00e1ska lid\u00ed k p\u0159\u00edrod\u011b, existuje. Nejen na \u00farovni v\u011bdom\u00e9ho my\u0161len\u00ed, ale hluboko v n\u00e1s jako geneticky p\u0159ed\u00e1van\u00e1 informace. M\u00e1me ji v sob\u011b v\u0161ichni. Sto tis\u00edc generac\u00ed jsme \u017eili v p\u0159\u00edrod\u011b a pouh\u00fdch sto nebo dv\u011bst\u011b generac\u00ed \u017eijeme v civilizaci. V p\u0159\u00edrod\u011b jsme \u017eili tis\u00edckr\u00e1t d\u00e9le a z t\u00e9to doby v n\u00e1s uv\u00edzlo mnohem v\u00edc, ne\u017e se na prvn\u00ed pohled zd\u00e1. Jsme sou\u010d\u00e1st\u00ed p\u0159\u00edrody. Pokud hled\u00e1me spole\u010dnou \u0159e\u010d se v\u0161emi lidmi na zemi, pokud chceme, aby sou\u010dasn\u00e1 architektura byla p\u0159\u00edjemn\u00e1 a sd\u011bln\u00e1, budou logick\u00fdm v\u00fdchoz\u00edm bodem pr\u00e1v\u011b p\u0159\u00edrodn\u00ed principy. P\u0159\u00edroda je neuv\u011b\u0159itelnou pokladnic\u00ed geni\u00e1ln\u00edch konstrukc\u00ed, tvar\u016f, barev, syst\u00e9m\u016f i nahodilost\u00ed. Ukazuje n\u00e1m, jak \u017e\u00edt s chybami a nezp\u016fsobit katastrofu. Architekt vytv\u00e1\u0159\u00ed sv\u011bt se v\u0161\u00edm, co k n\u011bmu pat\u0159\u00ed. Na jeho domy sed\u00e1 n\u00e1mraza, zahaluj\u00ed se do mlhy, bou\u0159ka je osv\u011btl\u00ed blesky. Architektura je plnohodnotnou sou\u010d\u00e1st\u00ed na\u0161eho sv\u011bta, tak jako p\u0159\u00edroda. Architekt se proto nutn\u011b mus\u00ed pustit do studia p\u0159\u00edrody. A to do hloubky, ne jen form\u00e1ln\u011b nebo stylisticky. Jde o element\u00e1rn\u00ed z\u00e1kony p\u0159\u00edrody, kter\u00e9 nejsou na prvn\u00ed pohled v\u017edy z\u0159ejm\u00e9, ale kdy\u017e nejsou respektov\u00e1ny, m\u00e1 to dalekos\u00e1hl\u00e9 d\u016fsledky.\r\n
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\r\n1\/ Diverzita\r\nDiverzita je udr\u017een\u00ed p\u0159\u00edjemn\u00e9 podobnosti a rozd\u00edlnosti. Pokud ka\u017ed\u00e1 v\u011bc nen\u00ed origin\u00e1lem, n\u011bco n\u00e1m chyb\u00ed. Opakem diverzity je monokultura.\r\n
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\r\n2\/ Entropie\r\nEntropie popisuje m\u00edru organizace a chaosu. Spr\u00e1vn\u00e1 m\u00edra entropie je rozd\u00edl mezi rostl\u00fdm m\u011bstem a um\u011ble navrhovan\u00fdm m\u011bstem. To rostl\u00e9 je n\u00e1m bli\u017e\u0161\u00ed. Podob\u00e1 se lesu, podob\u00e1 se p\u0159\u00edrod\u011b, kter\u00e1 m\u00e1 m\u00edru entropie spr\u00e1vn\u011b nastavenou. Jakmile se chaos zcela vytrat\u00ed, v\u011bc p\u0159estaneme ch\u00e1pat jako p\u0159irozenou a je n\u00e1m ciz\u00ed.\r\n
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\r\n3\/ Rozhran\u00ed\r\nTo nej\u00fa\u017easn\u011bj\u0161\u00ed v p\u0159\u00edrod\u011b se d\u011bje na rozhran\u00ed. T\u0159eba lesa a louky, louky a rybn\u00edka. Tot\u00e9\u017e by m\u011blo b\u00fdt v na\u0161ich domech i m\u011bstech. Hlubok\u00e9 rozhran\u00ed mezi vn\u011bj\u0161kem a vnit\u0159kem. Pokud to rozhran\u00ed nevyu\u017eijeme, d\u011bl\u00e1me chybu.\r\n
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\r\n4\/ Symbi\u00f3za\r\nMiliardy let \u017eij\u00ed organizmy v symbi\u00f3ze. Mus\u00edme dos\u00e1hnout toho, aby se na\u0161e stavby a p\u0159\u00edrodn\u00ed syst\u00e9my staly symbionty. Aby se navz\u00e1jem pozitivn\u011b ovliv\u0148ovaly. Nejde o to, \u017ee se popnou rostlinami. Ale \u017ee si za\u010dnou navz\u00e1jem pom\u00e1hat, spolup\u016fsobit, vyhovovat.\r\n
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\r\n5\/ Inteligentn\u00ed k\u016f\u017ee\r\nInteligentn\u00ed k\u016f\u017ee pat\u0159\u00ed k t\u00e9to symbi\u00f3ze. V\u0161echny organismy maj\u00ed inteligentn\u00ed k\u016f\u017ei. Je to v\u00edcevrstv\u00fd obal, kter\u00fd se neust\u00e1le prom\u011b\u0148uje, reaguje na m\u011bn\u00edc\u00ed se okol\u00ed. Pokud na\u0161e domy maj\u00ed b\u00fdt p\u0159irozen\u00e9, mus\u00ed si z toho vz\u00edt vzor a vytvo\u0159it si podobn\u00fd obal, kter\u00fd reaguje na zm\u011bny uvnit\u0159 i venku.\r\n
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\r\n6\/ Adaptabilita\r\nPl\u00e1n, kter\u00fd nepo\u010d\u00edt\u00e1 s t\u00edm, \u017ee u\u017e v okam\u017eiku sv\u00e9ho uskute\u010dn\u011bn\u00ed je nedokonal\u00fd a pot\u0159ebuje se m\u011bnit, je \u0161patn\u00fd. Pot\u0159ebujeme d\u011blat v\u011bci p\u0159izp\u016fsobiv\u00e9, stav\u011bt stavby tak, aby se daly jednodu\u0161e prom\u011b\u0148ovat.\r\n
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\r\n7\/ Svoboda\r\nSvoboda je rodnou sestrou nahodilosti, brat\u0159\u00ed\u010dkem odvahy. Bez svobody stav\u011bn\u00ed ve smyslu voln\u00e9ho u\u017e\u00edv\u00e1n\u00ed, modifikov\u00e1n\u00ed, ne\u00facty k toporn\u00fdm pravidl\u016fm nem\u016f\u017ee vzniknout dobr\u00e1 architektura. Omezov\u00e1n\u00ed svobody v\u017edy vede k po\u0161kozen\u00ed syst\u00e9mu. Tvrd\u00e9 pl\u00e1novac\u00ed syst\u00e9my umrtvuj\u00ed na\u0161e stavby.\r\n
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\r\n8\/ Materi\u00e1ly\r\nP\u0159\u00edrodn\u00ed materi\u00e1ly jsou n\u00e1m bl\u00edzk\u00e9 \u2013 d\u0159evo, k\u00e1men, sklo, voda, zem\u011b, hl\u00edna. Jsou n\u00e1m bli\u017e\u0161\u00ed, ne\u017e materi\u00e1ly v\u00edce zpracov\u00e1van\u00e9. St\u00e1rnou p\u0159irozen\u011b, jako \u010dlov\u011bk, jako p\u0159\u00edroda, a p\u0159irozen\u00e1 architektura je na nich postavena.\r\n
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\r\n9\/ Ekonomie a ekologie\r\nNeexistuje ekologick\u00fd d\u016fm, kter\u00fd by m\u011bl v nepo\u0159\u00e1dku ekonomii. V hloubce jak\u00e9hokoliv chov\u00e1n\u00ed p\u0159\u00edrody je hlubok\u00fd ekonomick\u00fd z\u00e1jem. Ka\u017ed\u00e1 rostlina, organismus, v\u0161echno \u0159e\u0161\u00ed co nej\u00fasporn\u011bji, nejst\u0159\u00eddm\u011bji. Co pl\u00fdtv\u00e1 zdroji na dosa\u017een\u00ed c\u00edle, je \u0161patn\u011b. Drah\u00fd ekologick\u00fd d\u016fm je protimluv - bu\u010f je drah\u00fd, nebo ekologick\u00fd.\r\n
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\r\n10\/ Proud energie\r\nV\u0161echny \u017eij\u00edc\u00ed organismy se spr\u00e1vn\u011b orientuj\u00ed v proudu energie, kter\u00e1 k n\u00e1m p\u0159ich\u00e1z\u00ed ze Slunce. Nach\u00e1zej\u00ed si v tomto proudu sv\u00e9 bezpe\u010dn\u00e9 m\u00edsto. Jakmile se my a na\u0161e stavby p\u0159estaneme v tomto proudu spr\u00e1vn\u011b orientovat, vyhled\u00e1vat a nas\u00e1vat energii, jsme ochuzen\u00ed.\r\n
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\r\n11\/ Vznik, existence, z\u00e1nik\r\n\u010c\u00edm m\u00e9n\u011b se stavba zakousne do p\u0159\u00edrody, \u010d\u00edm je ohledupln\u011bj\u0161\u00ed, a \u010d\u00edm l\u00e9pe si vymysl\u00ed i sv\u016fj z\u00e1nik, t\u00edm je p\u0159irozen\u011bj\u0161\u00ed. Zat\u00edm se chov\u00e1me sp\u00ed\u0161e jako tsunami, sopky, zem\u011bt\u0159esen\u00ed a jin\u00e1 bo\u017e\u00ed dopu\u0161t\u011bn\u00ed. Nebylo by lep\u0161\u00ed se chovat jako louka nebo les, kter\u00fd um\u00ed p\u0159ij\u00edt a po \u010dase zas odej\u00edt? P\u0159irozen\u00e1 stavba je bez\u00fadr\u017ebov\u00e1, nen\u00e1siln\u00e1 struktura, kterou \u010dlov\u011bk n\u011bkolika nen\u00e1padn\u00fdmi pokyny instruuje, aby mu slou\u017eila.\r\n
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\r\n12\/ Stav\u011bn\u00ed\r\nStav\u011bn\u00ed je to nejpodstatn\u011bj\u0161\u00ed na architektu\u0159e. Pokud stavba nen\u00ed v po\u0159\u00e1dku, je architektura \u00fapln\u011b mimo. P\u0159irozen\u00e1 architektura mus\u00ed b\u00fdt sv\u00e1zan\u00e1 s dobr\u00fdm stavitelstv\u00edm.\n","protected":false},"excerpt":{"rendered":"
HAMR is a collective of architects of shared dedication to re-defining a natural approach to architecture, urban planning and design. The linking figure is that of Martin Rajni\u0161, who founded HAMR alongside David Kub\u00edk in 2012. We work a lot, we travel often and every now and then we teach, organise lectures and workshops. We […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/hutarchitektury.cz\/en\/wp-json\/wp\/v2\/pages\/10"}],"collection":[{"href":"https:\/\/hutarchitektury.cz\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/hutarchitektury.cz\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/hutarchitektury.cz\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hutarchitektury.cz\/en\/wp-json\/wp\/v2\/comments?post=10"}],"version-history":[{"count":48,"href":"https:\/\/hutarchitektury.cz\/en\/wp-json\/wp\/v2\/pages\/10\/revisions"}],"predecessor-version":[{"id":1669,"href":"https:\/\/hutarchitektury.cz\/en\/wp-json\/wp\/v2\/pages\/10\/revisions\/1669"}],"wp:attachment":[{"href":"https:\/\/hutarchitektury.cz\/en\/wp-json\/wp\/v2\/media?parent=10"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}